“Species Conservation”
In the diverse tapestry of my artistic exploration, a singular concern has consistently guided my
endeavors—the urgent realization that our climate is changing at an unprecedented pace. Faced with
this immense challenge, I find solace and purpose in using my art as a potent tool for raising awareness
and inspiring action. The essence of this exhibition centers on species conservation, a tangible and realistic
avenue where meaningful impact is within reach. I want people to recognize the pivotal role species play
in maintaining the delicate balance of ecosystems—a balance crucial for our air, food, and ultimately, our
survival. The immersive experience of "Wetlands" engages audiences in spraying chalk, symbolizing the
consequences of habitat loss. This participatory encounter serves as a powerful metaphor, urging
contemplation on human actions' tangible impacts on the natural world.
My work stands as a testament to the impermanence and ephemerality inherent in life. Working with
sustainable materials like chlorophyll prints, my art forges a symbiotic relationship between humanity
and nature. The use of chlorophyll in my piece "Extinct Species" captures the sun's energy, imprinting
shadow, leafy textures that underscore our interconnectedness with the natural world. The leaves,
placed on soil as though fallen from a tree, represent over 25 species that have gone extinct due to
human-caused factors—a poignant reminder of lost biodiversity, emphasizing the fragility of life.
Through the
piece "Redesigned Fences," I visually challenge the misrepresentations from the Our Planet 2
documentary, acting as a bridge between captivating storytelling and the imperative for a nuanced,
truthful perspective on conservation. Furthermore, “Boundaries,” the chlorophyll prints of a pronghorn
antelope going underneath a fence, and a fence next to it, further respond to this documentary and the
impact that misinformation initially had on me.
The ceramic collection, "Limited Edition," challenges traditional art boundaries, subtly critiquing the
display of stolen artworks. Priced at $50,000 each, it serves as a commentary on the maximum fines
imposed on critically endangered red wolves, urging viewers to reevaluate societal priorities and the
economic dimensions of conservation.